Without it, there’s no music, and you’re not much of an engineer at all, actually. The most important skill you can have as a live sound engineer is a solid understanding of signal flow. It’s equal parts signal flow, miking technique, ear training, problem-solving, psychology and customer service. What I’m trying to say here, is just because you know your way around Pro Tools doesn’t mean you’re qualified to run a live show. They both have their ups and downs (*wink wink*), and while they may seem essentially the same, we all know there’s a world of difference. The other is about experiencing something in the moment and reacting to situations in real time. It’s designed to be as appealing as possible and there’s little concern for realism. The differences between studio engineering and live sound are like the differences between porn and sex. OK, this is gonna get kind of weird, so bear with me…
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